Miscellany is a place for wonderful little things outside of the feature-length storytelling we do up front. It’s an infinite scroll of interviews, images and interesting resources, updated when the mood strikes and the opportunity presents. —The Editors

On Mile 8 of the NYC Marathon

November 4, 2019

As my yoga teacher Annie Piper put it, there is no better place to get a dose of serotonin than cheering on runners at the New York City Marathon, where more than 50,000 runners from almost 130 countries compete. And there is no better place to do that than Mile 8, the corner of Cumberland and Lafayette in the Fort Greene section of Brooklyn.

It’s early in the race, so the runners are still pumped, and even more so when they come upon the crowd of people dancing to the kicking beats of DJ Big Time John. With people-sized speakers stacked in front of a brownstone, the music is loud, and the fist-pumping favorites include The Village People’s “YMCA,” Sugar Hill Gang’s “Jump On It,” House of Pain’s “Jump Around” and, of course, Bon Jovi’s “Living on a Prayer,” keeping up the energy for runners and spectators alike.

Friends and families cheer for those they know, and everyone cheers for strangers running by them, shouting their names and putting out a hand for an encouraging high-five. They’re especially loud for runners with disabilities, whether accompanied by a guide or making their way on their own.

The boisterous crowd stays until the last runner, and the last garbage truck, goes by, all getting cheers for being part of the race. For a brief moment, people from all over the world find commonality and friendship that transcends the usual stress of the city. Even the police officers, who spent the day asking people to move back to the sidewalk when they wander too far into the road, join the dance line in the middle of the street for the final number: Frank Sinatra and Tony Bennett’s “New York, New York.” —Micah Garen

Micah Garen is an award-winning documentary filmmaker and journalist who has worked in conflict and post-conflict zones for the past fifteen years. Most recently, he has directed five feature-length films for Al Jazeera English, one of which won a Golden Nymph for Best News Documentary at the 2014 Monte Carlo Television Festival. His work has been published by Al Jazeera English, The New York Times, The New York Times Magazine, Vanity Fair, Newsweek and the Financial Times, among others. His recent short film about the refugee crisis, “Light on the Sea,” launched in March on VanityFair.com. His short film from Afghanistan, “Call Me Ehsaan,” was a New York Times Op-Doc editor’s choice and screened at festivals. Garen filmed the Christmas Eve Raid scene in Iraq that was part of Michael Moore’s Fahrenheit 911. In 2004, Garen and his interpreter, Amir, were kidnapped while filming in Nasiriyah. They were held for ten days before being released. Their story is chronicled in the dual memoir with Marie-Hélène Carleton, American Hostage, published by Simon & Schuster in 2005. The memoir received starred reviews on both Kirkus and Publisher’s Weekly. Garen’s work can be found at instagram.com/micahgaren and fourcornersmedia.net. (All photos © Micah Garen)

Compass Rose


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