Caves, throttles, motorcyclists, rhyming, inner ear, the Northern Pacific, elegiac intervals, bright red geraniums, neighborly glances & Mr. Loose and Unnecessary.
CROW VALLEY
Goes away a long time
Comes back to think of it
The sky is how deep
Sun through Doug fir
Open up the throttle a little
This kind of rhyming goes back to the cave
Today only teenage girls can crawl through
Big rigs on the roads carrying nearly everything
Guy drags boxes on dolly down ramp
Early morning delivery
Smooth passage through the inner ear
Time with the lights on
Indolent instants on the boat of Ra
Hopping across islands in the Sound
Hear the mighty engine’s roar
Beginnings are numberless
An end leaves one gasping for air
You don’t have to do this
But you can’t do anything else
The occasional car, stops and turns
Families arrive from parts elsewhere
Science nudges the unknown
Two things from which men must avert their gaze
Death and the face of the sun
Day’s first erasure ripples the morning surface
They are looking for a cup of coffee
The flag flutters in a light breeze
All this is true but still
Meaning ekes out a living
The birds are more than happy to oblige
The voice has scales the locals know by ear
When you get to the harbor you are there
In the heat of the day
Time is something unexpected
Like a motorcyclist removing her helmet
WEST SOUND
Sticking up out of the water
Covered in fir, hemlock, cedar and pine
These islands
Wake with the sun
Where the continent breaks
Against the Northern Pacific
Without a word
Wind in the branches
The feel of it on the face
Elegaic intervals
Between sounds
Light on porch rails
Casting shadows
Even in advance
A landscape of calls
Very little to go on
As if waiting for a train of thought
Inner and outer realms
Coincide
If only for a moment
First boat out into the water
MOUNT CONSTITUTION
Bright red geraniums
A wake up call
For Mr. Loose and Unnecessary
Gather strength in batches
The idea goes one way
Awake, a walk in a field
Sessions in space
Kick off the covers
Neighborly glances
Situate yourself
For the ride across the sky
Sometimes it’s chilly
Boats tied up
To the dock
Like so many parenthetical asides
She and her dog
Down the road
Before breakfast
Leaves on the vine
The breeze makes quiver
Are models of flexibility
Let nothing happen for a while
And surely it will
Despite your best efforts
The thinking is
Clouds gather to west
A combination of elements
Near miss offshoot
Arrange the letters
A fortune in shipbuilding
The matter at hand
Neither here nor there
Compared to making a living
Imagine a concert
Convened every morning
Shorebirds of the Pacific rim
Plenty of energy
The turn to luggage
Time to pull up stakes
And there you have it
To have and to have not
Some like it hot
People moving about
You big lug
A sign of perpetual vacancy
Just let yourself in
Chill waters of delight
Family members on the pier
A light feeling of expectation
Stick to the plan
A breath of fresh air
FALSE BAY
Words in place of fingers
Sky in place of heart
Sound in place of memory
Whales in place of harmonicas
Liberals in place of precipices
Door in place of tree
Sensuality in place of remuneration
Number in place of color
Eyes in place of sea hawks
September in place of time
Inside the cave
Outside the bar
Whenever it suits you
Unless there is a fire
Until the last minute
Without being aware
Because of the noise
Under the circumstances
On top of the fridge
By the side of the road
Ceremonial embouchure
Leaseway tires
Probabilistic septuagenarians
Semi-automatic doubt
Consensual sacrifice
Inter-island plasticity
Roadside realism
Drowsy blandishments
Tonal arrival
Misbegotten hallelujah
Art is the last refuge of polygamists
Rail transport is the badminton of hungry ghosts
Sensitivity is the germ warfare of electric guitars
Language is the roulette of pacifism
Cinema is the cliff face of adolescence
Melancholy is the nasturtium of time
Outer space is the typewriter of misapprehension
Ostentation is the oatmeal of fellowship
Everyday life is the climate change of introspection
Horticulture is the guardian angel of sex
DECEPTION PASS
As darkness falls in the mountains
A dim glimmer of history slips the mind
Fog in the crotch between rises
Other side of the lake
Once a self-made man
Who started from scratch
Became governor
Then a shipbuilding empire
When the doctors warned he’d die of stress
He bought a large parcel on Orcas Island
Moved there with his family
Lived another 25 years
Ceding the land to the state
For use by the public
Building roads and bridges himself
When state funds proved inadequate
Until finally the National Park Service came through
Today you can stand at the top
A limestone tower at the summit
With a view of Mount Baker across the sound
Another a pioneering loner
Farmed on Whidbey Island
Commuted by boat to Port Townsend
Where he was postmaster general
Was killed and beheaded by Indians
In proxy retaliation
For the murder by whites of a tribal chief
Now the lake is almost entirely white
Fog reflected in its rain dimpled surface
Dark white
Or what you might call silver
Before the deep green shadows of the mountainsides
STORM KING
It’s the 40s again
Welcome back
Jitterbug clarinet mornings
Snappy vocalese
Up ‘n’ at ‘em attitude
A slap on the backside of fate
Off we go
Into the wild blue yonder
Until the dining room fills
With decades before and since
Good night Mrs. Calabash wherever you are
The snap from the fireplace
Here is where you lodge your complaints
One line at a time
The way a drawing takes shape
The shapes of mountains
Clouds and a lake
Wind moving light on the surface
Of a life
Which brings us to where we sit
Nestled between peaks
Ferns all about and tall firs covered in moss
Such are the pleasures of description
A kind of neutrality like Switzerland
That allows us to be with the immediate environment
And also not
Because busy making notes
On mirrors for others to read later
Okay kids let’s go
Leaving so soon?
That’s great news because time is ticking away
Footsteps behind me
A day of not drinking
Trails up into the interior
Laughter from up the way
And that casual, rascally counter tempo
That sings its way through our capillaries
For generations
Even after the departure
Of the vintage auto rally
BELLTOWN
Silent forms
Break into fugitive night
The caper drama
Squeezing between raindrops
A city is as its citizens make it
At street level
Or up in the air
Traffic patterns
A natural bridge
Icons of the light rail system
Connecting ramen
To Latin jazz
Where feet do the walking
And talk is entirely free
One step beyond anticipation
What happens matters
It shakes the whole body
Out of habit
And into intensity
One passionate doorway
Some special ground floor
Kit Robinson was born in Evanston, Illinois, grew up in Cincinnati, went to Yale, and has lived in the San Francisco Bay Area ever since. He is the author of Marine Layer (BlazeVOX), Determination (Cuneiform), The Messianic Trees: Selected Poems, 1976-2003 (Adventures in Poetry), and 20 other books of poetry. His collaboration with Ted Greenwald, A Mammal of Style (Roof) was named among “the best poetry of 2014” by the Chicago Tribune. He lives in Berkeley, California, and works as a freelance marketing writer in the technology industry.